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	<title>Comments on: Philip Hall&#8217;s doubles</title>
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	<description>Reflections on visual art, place, psychotherapy and nonduality</description>
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		<title>By: ron dowd</title>
		<link>http://www.rondowd.com/2009/03/philip-halls-doubles/comment-page-1/#comment-153</link>
		<dc:creator>ron dowd</dc:creator>
		<pubDate>Wed, 01 Apr 2009 03:37:38 +0000</pubDate>
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		<description>I received a nice response from Philip Hall on this post:
&quot;Thanks for the kind words. I think they reproduce well, and yes, the plaster is a very beautiful material. It seems to reflect and absorb light–and color–in equal measure. Melville has a lovely chapter in Moby Dick on &#039;whiteness&#039;, which I was happy to come upon, and gave me a chill of recognition. Very interesting....
 
Yes, your words make sense, in that they&#039;re wrestling with a column of smoke. The association between title and form is more insistent for me, but I would never try to delineate it verbally. The title lays over the work once the form is made real. But for reasons I can&#039;t explain.</description>
		<content:encoded><![CDATA[<p>I received a nice response from Philip Hall on this post:<br />
&#8220;Thanks for the kind words. I think they reproduce well, and yes, the plaster is a very beautiful material. It seems to reflect and absorb light–and color–in equal measure. Melville has a lovely chapter in Moby Dick on &#8216;whiteness&#8217;, which I was happy to come upon, and gave me a chill of recognition. Very interesting&#8230;.</p>
<p>Yes, your words make sense, in that they&#8217;re wrestling with a column of smoke. The association between title and form is more insistent for me, but I would never try to delineate it verbally. The title lays over the work once the form is made real. But for reasons I can&#8217;t explain.</p>
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